Maybe we put more effort in trying to please us the episodes, that the authors to make them interesting and credible. Of events that could make this a good episode, worth remembering the first seasons, There were two: the battle with the Saviors led by Simon and the zombie attack. Unfortunately both develop between nonsense continues and ends leaving a bad taste in my mouth.
Other week, another episode from fail across the Board for Grey's Anatomy; This 14th season, started with the best conditions, are really drifting, and I believe that only a radical intervention can save the series for the future.
This second half of the season like a zig-zag between strokes on the right track and skidding off the road. In spite of the clash drive between Rick and Negan, "The Key" brings the show to a straight path, exactly as happened two weeks ago with “The Lost and the Plunderers”. A violent face-off between Rick and Negan, the appearance of new characters, but most of all a true development that affects them and the plot.
Broken hearts, wounded hearts, hearts that suffer but they learn to cope with grief and open up to new loves: a subject matter in a thousand different sauces for a thousand different series, but also a pillar of the narrative of "Grey's Anatomy" in the course of his fourteen (For now) seasons.
I had concluded the previous post in the hope that this episode was not just a Flash in the dark. I'm afraid so: This episode is slow, boring, repetitive and focused on characters of which there is never interested or that they've lost any appeal. All of whom last week were absent and whose was absolutely felt the lack.
It is not a good time for Grey's Anatomy: Despite some successful isolated episode, you feel the lack of an overall plot, a common thread that gives meaning to the season.
Will state for the climate from Oscar night, but the last episode of The Walking Dead has finally been good and we succeeded without disturbing deaths or shootings by forty minutes uninterrupted, proving that it's not the size of the event to determine the quality.
Week of crossover in which, between all sets of Shondaland, Grey's Anatomy is the one that has benefited less storyline and characters from crossing worlds usually separated.